Monday, August 21, 2006

Under the sufi spell

Saints of the yore, who sang ecstatically in his praise, have left behind a legacy that is now reflected in everything.

Pure, selfless and spiritual, that's how many people define Sufism, the most esoteric aspect of Islam. Not suprisingly, therefore, for centuries its elements have inspired many a music tradition, art and even aspects of everyday existence.

The saints who propagated the message of the Prophet were called Sufis - a word derived from the Arabic tasawouf - that means to purify. They believed in driving their ideas home through the medium of music, for they thought it made it more easily communicable to the common man. That perhaps explains why music has been such an integral aspect of Sufism. Today of course, the movement is influencing other arts as well.

But in the age of Bollywood, is our understanding of everything Sufi confined to Ya Ali and Junoon? Singer Kailash Kher say, "Sufism is so sacred and pure that even though we have started to incorporate its elements in our music, we still have a very long way to go." He adds, "The level of purity that is normally associated with Sufi music extends beyond the realm of the physical to the spiritual.

Something that's vaguely like a qawwali, interspersed with words like 'Allah', 'Khuda' or 'Ali', and portrayed by clips of a scantily--clad woman, does not even come close Sufi music." Taking off on that, ghazal singer Jagjit Singh says, "Influence of Sufism in today's music is undeniable even though it doesn't stand as a genre by itself."

"Purity is the crux of Sufi philosophy," continues writer Sheherazade Javeri, who studied Sufism from guides in Egypt and other Arabian countries. An artist inspired by Sufism renders his art in the spirit of purity, "Like Rahman's music in Dil Se," chimes in Kailash.

Some Bollywood films, particularly those of the last five years or so, have been speckled with Sufi elements in terms of clothes, set designs and settings, "But there are not too many instances yet, to call it a trend," say filmmaker and artist Muzaffar Ali. "I have made several documentary films on Sufism, and am currently working on a full--length feature on Rumi, the great Sufi poet, but the audience in India who appreciates Sufi themes from a purist perspective is still very niche."

In fact Sufism in India is largely limited to the grassroots. "Sufi healing, for instance, is practiced mostly at the grassroot level, but since spirituality and traditional healing is now becoming a fad in the West, we too would like to believe that it is fashionable. But, therapeutic herbs and verses of Sufis have been curing diseases and problems since time immemorial.

It's just a question of marketing the concept more effectively" Similarly, fashion trends are also influenced by spirituality and religion, in India, thanks to an uprising in the West. "Robes that Sufis wore, their talismans and brass ornaments, and the coarse texture of their clothes are very much in vogue today," says fashion designer Neeta Lulla.

In countries like Pakistan, Turkey and Iran, many aspects of Sufism are being revived in a big way. The whirling dervishes tradition of Turkey is an example. Whirling dervishes are male Turkish dancers who don flared robes and dance ecstatically to Sufi music in a prayer trance. "In fact, dance was never a part of Sufi culture," says Sufi Kathak exponent Manjari Chaturvedi.

"However, inspiration comes from many quarters, and after meeting some whirling dervishes from Turkey, and many Sufi practitioners, I was inspired to dance to Sufi poetry and music with Kathak as the base." In India too, where the Sufi tradition has varied across regions - Sufi saints of Punjab wrote and sang in Punjabi, and those of Kashmir did so in Kashmiri - the government is now attempting to preserve the culture. One step in that direction is the proposed setting up of a Sufi museum in Panipat, and a cultural centre in Panchkula in Haryana.

"Later this year, I am working towards organising a Sufi festival in Hyderabad," says Javeri. "We will invite artists from all over the world including Abida Parveen of Pakistan. This move, we hope, will help people understand Sufism better, and also educate people about its universal appeal," she says. In fact, in India, at the Sufi shrines, there are more number of Hindu, Sikh and other non--Muslim devotees. "Some of the later Sufi saints even preached with examples of Krishna and Radha," says Muzaffar Ali, "so Sufism is not just confined to Islam in its spirit."

Friday, August 18, 2006

Strings Attached

Friday, August 18, 2006

He has made his niche in the industry. Chintoo Singh, the son of composer Mohinderjeet Singh, is making waves with his unique expertise with the rabab. He has made his niche in the industry. Chintoo Singh, the son of composer Mohinderjeet Singh, is making waves with his unique expertise with the rabab.

"My father was a music director with NFDC and also scored music for some Punjabi and Hindi films apart from serials of Doordarshan. He also taught singers like Chitra Singh-ji, Sulakshana Pandit-ji and Jaspal Singh-ji,' says Chintoo about his musical lineage.

Chintoo's musical training began in early childhood. "At the age of 10, I started learning the violin from my father. After this I learnt the mandolin and then the guitar from 15 gurus including my father,Pandit Ramprasad Sharma, Bhupinder Singh, Tabun, Josfi and others." Exposing himself to a gamut of music genres, he learnt classical raags from his father and picked up Rock and Blues from his college.

Chintoo Singh's professional debut came in 1994 when the late R.D.Burman chose him among 20 guitarists for 1942 - A Love Story. "I was 17 then," says Chintoo. "He chose me because he told me to tune my guitar and I said that it was in tune."

It was a little later that Chintoo got acquainted with the exotic rabab, the Indian stringed instrument that has 8 to 14 strings and is said to have originated in the 12th century. "My solo rabab shows became so popular that finally I decided to concentrate on this instrument. Rabab is the precursor of the sarod and is much more difficult than any other string instrument. It is associated with the music of the mountainous regions like Kashmir and Afghanistan and has been heard in films like Zanjeer, Sholay and Khuda Gawah," says Chintoo.

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Chintoo Singh has never liked to limit his talent to a single arena."I have learnt music, so I want to do everything," he says. His latest release as a musician is Omkara and next year, on invitation from Phil Collins, he will perform with him at New York's Carnegie Hall.

Rattling off a Who's Who in music for whom he has played live, he says with a shy smile that the list includes Shania Twain, DJ Dave and Bob from New Orleans among international artistes and Hariharan, Pt.Ajay Pohankar, Mehdi Hasan, Vishwa Mohan Bhatt, Jagjit Singh, Shivamani, Pankaj Udhas, Mahendra Kapoor and Kailash Kher back home. He has also arranged multiple albums in ghazals and other genres, and scored for TV serials like Saturday Suspense, Geet Gaata Chal, Jasoos and many others.

But his solo albums are his pride and one of them is Mumbai On The Move on Times Music. "Times Music has done something unique by releasing the same album in different metros with the names of each city. For example, it was released in Delhi as Delhi On The Move, in Bangalore as Bangalore On The Move and so on."


Thursday, August 17, 2006

'I don't come only for races' - Jagjit Singh

In town recently, ghazal maestro Jagjit Singh spoke to us about his passion for racing...and music of course.

The ghazal maestro weaved his magic for the crowd at Ganesh Kala Krida Manch. But, before the musical journey took off, we caught up with Jagjit Singh.

It's been many years since Singh performed in Pune last, so much so that even he can't remember the exact year. "I think it was for a cancer-related cause,"says he.

The racing season is on, and Singh is passionate about races. "Yes, I have four horses and they participate in the races,"he says.

Is this the reason why Pune is special for him? "No, I have had a long association with the city of Sawai Gandharva. People have taste for classical music here, which is why I have special fondness for the city,"he says.

But we have been seeing the ace singer almost every year during the racing season. "That might be true. I love races. But I don't come only for races. For instance, I came today for my show. I could have come yesterday and gone to the races. But I didn't. It depends on my mood. I don't know whether I will go to the race tomorrow or not, even though I am in Pune,"explains Jagjit.

But yes, his horses are special to him. "They are very dear to me. Unfortunately, I can't give too much time to them."

Singh is a little perturbed by the kind of 'mechanical music, which is in vogue.' "A lot of garbage is being played. A number of DJs and RJs who have no knowledge of music are mixing songs.

But I am sure enough that this trend will go away. Classical music will make a comeback,"he observes. Ghulam Ali, another legendary ghazal singer, was in Pune recently.

Say Singh, "Ali is an artist par excellence. He is exceptionally talented. I met him some time back at a concert in Bangalore. We met and discussed old times,"he says.

Having been in the industry for over 30 years, Singh's principle in life is to continue with the hard work. "You should never think that you know too much. Hard work and quest for knowledge are two most important things in life,"says he before getting ready to mesmerise his fans.

Thursday, August 03, 2006

Meri Kahani Meri Jubaani

Jagjit ji is coming on a radio program on the FM Channel Radio City on Sunday 6 th August 2006 on the program "Meri Kahani-Meri
Jubaani " from 1.00 pm to 2.00 pm. The FM channel Radio city is broadcast from Mumbai,Delhi,Lucknow,Hyderabad and Jaipur and is
broadcast at 91 Mhz. So all Jagjit ji fans please tune into this program to hear Jagjit ji speak about His Life-story on Sunday at 1.00 pm.